ARTS 2283: African American Art: African American Art: Journal Articles (full-text)

APA References

Please click on the blue hyperlinks below to view the full-text articles. If you off campus you will need to input your PVAMU credentials to get to the database where the full-text article is housed. See the Access from Home/Off Campus section in this LibGuide. Non-Blue Hyperlinks visit eJournal Portal to type in the name of the articles' journal title to view full-text article.

 

African american art: Jacob lawrence (2016). Retrieved from http://pvamu.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=ofm&AN=117910303

African-american art: A visual and cultural history (2017). Retrieved from http://pvamu.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=ofm&AN=123166877

Anyaso, H. H. (2004). African american art front and center. Black Issues in Higher Education, (21), 4. Retrieved from http://pvamu.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsggo&AN=edsgcl.126080125

Banks, P. A. 1., banks@post.harvard.edupbanks@mtholyoke.edu. (2015). Identity and the consumption of african american art in art education. Art Education, 68(6), 16-21. doi:10.1080/00043125.2015.11519343

Bey, S., shbey@syr.edu. (2017). Augusta savage: Sacrifice, social responsibility, and early african american art education. Studies in Art Education, 58(2), 125-140. doi:10.1080/00393541.2017.1292383

Buick, K. P. 1. (2013). African american art: Harlem renaissance, civil rights era, and beyond. Choice: Current Reviews for Academic Libraries, 50(11), 2001-2001. doi:10.5860/CHOICE.50-5985

Bush, T. (2009). Porter colloquium at 20 the "father of african american art history" & his legacy. International Review of African American Art, 22(4), 15-20. Retrieved from http://pvamu.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswah&AN=000270692300007

Bush, T. (2009). Porter colloquium at 20: The 'father of african american art history' and his legacy. The International Review of African American Art, (4), 15. Retrieved from http://pvamu.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsggo&AN=edsgcl.210556271

Campbell, M. S. (2007). African american art in a post-black era. Women & Performance, 17(3), 317. Retrieved from http://pvamu.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edb&AN=27754049

Chang, E. (2016). Investigating race and racism through african american art and artists. Journal of Cultural Research in Art Education, 33(1), 137. Retrieved from http://pvamu.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edb&AN=119552709

Coleman, F. (2003). African american art then and now: Some personal reflections. American Art, 17(1), 23. Retrieved from http://pvamu.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.3109415

Coleman, F. (2003). African american art then and now: Some personal reflections. American Art, (1), 23. Retrieved from http://pvamu.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsggo&AN=edsgcl.119037927

Coleman, F. (2009). [African american art and visual culture]. International Review of African American Art, 22(4), 58-59. Retrieved from http://pvamu.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=ofm&AN=505381205

Contemporary african american art. (2015). Callaloo, 38(4), 789-791. Retrieved from http://pvamu.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswah&AN=000370988500011

Derek, C. M. (2007). Post post-black: Some politically incorrect thoughts on the reception and contemplation of african-american art. Art Journal, 66(4), 112. Retrieved from http://pvamu.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.20068573

Fine, R. (2009). The harmon and harriet kelley collection of african-american art: Works on paper. International Review of African American Art, 22(4), 46-47. Retrieved from http://pvamu.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswah&AN=000270692300022

Francis, J. (2003). Writing african american art history. American Art, 17(1), 2. Retrieved from http://pvamu.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=asx&AN=9463488

Hammons, D., Hutson, B., Loving, A., Whitney, S., Henderson, D., Moondoc, J., . . . Enwezor, O. (2011). African american artists on issues of museums and representation of african american art.2(1), 34-41. Retrieved from http://pvamu.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edspmu&AN=edspmu.S2152779295000065

Hood, Y. (2001). The culture of resistance: African american art quilts and self-defining. Uncoverings, 22, 141-169. Retrieved from http://pvamu.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=ofm&AN=504910243

Moore, A. L., & La Vonne I. Neal. (2005). Foreword: The importance of studying african american art, life, and history. Black History Bulletin, 68(2), 2. Retrieved from http://pvamu.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.24759553

Moore, A. L., & Neal, L. V. I. (2005). The importance of studying african american art, life, and history. Black History Bulletin, (2), 2. Retrieved from http://pvamu.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsgsr&AN=edsgcl.159180965

Murray, D. C. (2007). Post post-black: Some politically incorrect thoughts on the reception and contemplation of african-american art. Art Journal, (4), 112. Retrieved from http://pvamu.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsgsr&AN=edsgcl.173926067

Q: How families are you with african american art and african american artists? (2004). Black Issues in Higher Education, (23), 5. Retrieved from http://pvamu.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsggo&AN=edsgcl.126896706

Ragar, C. R. (2006). RETHINKING SOCIAL REALISM: African american art and literature. American Studies (00263079), 47(1), 186-187. Retrieved from http://pvamu.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=asx&AN=23838087

ROACH, R. (2001). Distance education course to explore african and african american art. Black Issues in Higher Education, (4) Retrieved from http://pvamu.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsggo&AN=edsgcl.74090075

Schur, R. (2007). Post-soul aesthetics in contemporary african american art. African American Review, (4), 641. Retrieved from http://pvamu.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsgsr&AN=edsgcl.188739136

Tribe, T. C. (2013). Slavery to hiroshima and beyond: African-american art and the apocalypse. Word & Image, 29(3), 354-384. doi:10.1080/02666286.2013.822146

Wilson, A. C. (2008). The harmon and harriet kelley collection of african-american art: Works on paper. International Review of African American Art, 22(3), 48-53. Retrieved from http://pvamu.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswah&AN=000265937700014